ETHOS

I am a people watcher and that is why interaction is the focus and drive of my work. I feel over time physical interaction between people has significantly reduced. With Modern culture first closing down the doors of communal living, into our own personal worlds, everything at hands reach; personal computers; personal MP3 players; even to the extent of personal robotic pets. From there the doors began to reopen, but interaction as we knew it refreshed; a middle man is now required, ‘The Device’. I would agree that change and progress is important, but as I see it we are not gaining new skills, we are replacing. them. Physical interaction is comparatively rare to those of ‘the device’, and slowly we are loosing the ability to communicate to our previous level, creating age barriers of those before and after ‘the device’.


During the 3rd stage of ISD course I would like to design events which encourage physical interaction as I feel passionately about creating design for change, with my aims to bring back the community, whether that be through town planning or interventions which provoke a reaction and discussion. I am particularly keen on temporary structures and installations which pop up in busy places, as this opens them up for the ‘everyday’ person to see and often is a catalyst for discussion, inevitably flowing into the device interaction ; the news, networking and photo sharing internet sites, therefore creating a worldwide critic on just one persons vision.


I want to further my understanding of the context of space and abstraction of space, therefore allowing my work to become stronger and enable me to push my passion for creating discussion and physical interaction between young people.

Wednesday, 23 March 2011

Time After, Time Along, The River : Marie Jose Burki

The video artist and photographer Marie José Burki produces pictures and modern-day frescos, whose protagonists are captured undertaking activities that are far from spectacular: a woman lying in the sun, people sharing a picnic or dining together. In her videos, the artist loves playing with ponderous movements, cuts, stills and repetition in order to distort any notions of space and time. In this way she generates suspended moments in time, glimpses of an eternal present, which might be anywhere, which have no distinctive qualities and where the subjects seem like prisoners, forever waiting. Occasionally, her images take on a theatrical quality in their artificiality and this incites the spectator to question his own position somewhere between accomplice and voyeur, somehow doubting the reality of what he is contemplating.


In 2000-2001, her work was projected in an outdoor exhibition in New York - Time After, Time Along, The River (Hudson) and in London - Time After, Time Along, The River (Thames), an outdoor projection accompanied by a radio programme.


The Audio CD which accompanies the book, consists of many voices of local inhabitants repeating their names in a repetitive fashion, sometimes overlapping in cannon. This is reflective of the tidal movements and also highlights the number of people the river effects the daily life's of.


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