ETHOS

I am a people watcher and that is why interaction is the focus and drive of my work. I feel over time physical interaction between people has significantly reduced. With Modern culture first closing down the doors of communal living, into our own personal worlds, everything at hands reach; personal computers; personal MP3 players; even to the extent of personal robotic pets. From there the doors began to reopen, but interaction as we knew it refreshed; a middle man is now required, ‘The Device’. I would agree that change and progress is important, but as I see it we are not gaining new skills, we are replacing. them. Physical interaction is comparatively rare to those of ‘the device’, and slowly we are loosing the ability to communicate to our previous level, creating age barriers of those before and after ‘the device’.


During the 3rd stage of ISD course I would like to design events which encourage physical interaction as I feel passionately about creating design for change, with my aims to bring back the community, whether that be through town planning or interventions which provoke a reaction and discussion. I am particularly keen on temporary structures and installations which pop up in busy places, as this opens them up for the ‘everyday’ person to see and often is a catalyst for discussion, inevitably flowing into the device interaction ; the news, networking and photo sharing internet sites, therefore creating a worldwide critic on just one persons vision.


I want to further my understanding of the context of space and abstraction of space, therefore allowing my work to become stronger and enable me to push my passion for creating discussion and physical interaction between young people.

Monday, 1 November 2010

REACTION

Following my investigation along the Southbank, I have focused upon the four themes mentioned in my last post: Eyes of the Jogger; Platforms of consciousness; Aural awareness and Sin overlooked. 
With these ideas in mind I have spent most of my time observing the goings on of the centre at different times of day. With all of these themes, I found my interest kept falling on one reoccurring subject - the reaction of the participant - the way the people use the space as elements change. Documenting this, I believe can lead to an understanding of what is missing or wanted from the area. 
EYES OF THE JOGGER
I felt the film I created previously on this theme is better than anything I have produced since. There is clearly an importance placed on the lighting down this strip, highlighting the enchanting areas and keeping darkness in places of no desire. I feel from this I know an intervention into the space should be carefully thought about in terms of light placement and whether it emits light itself and if so to clearly understand how and why certain light had been chosen in different areas. 
Below are some images which highlight the varied lighting techniques used in the space which heighten the atmosphere so well: 















PLATFORMS OF CONSCIOUSNESS 
Concentrating on this platform particularly this week, I have tried to document through film how people react to the interactive sculpture and performers so famously found among the southbank. Through people watching and experiencing them myself I am aware of how individuals/couples often steer clear from the performance as it often brings attention to the viewer and in this situation they may feel insecure and therefore not enjoy the experience. 


Distance 
I filmed this band performing on on a weekday morning. In this short film you can see the public distancing themselves from the band, making them an obstacle on the path. This does not prove the public dislike the aural experience, however does indicate that people do not like to be in the lime light or risk the band interacting with them. The band members are aware of this also, as they stand close to the rails and place the collection hat at a far distance, in one point in the film you witness a musician moving the hat further away from them, therefore accepting and embracing this reaction.




Busker
I filmed this busker performing on a Sunday evening. I spent over an hour observing the passers by and have tried to edit down the key reactions into a short film. The audience at night, particularly this weekend as it was Halloween, is extremely different then that of the audience I filmed in ‘Distance’. This evenings audience were in the forms of large groups, many dressed up/masked, mainly young and consumed alcohol. In this film you can see many couples and individuals passing by at a distance, however you can also see many groups crowding the performer, dancing and joking. It is as if within a group, dressed up or consuming alcohol removes inhibitions and the self awareness which stops most people from approaching the performers. This idea again backs up the idea that the enjoyment these sculpture/performers are suppose to provoke can often create self awareness as a by product.

AVIVA - 
This sculpture is lit up and when becomes activated by the viewer emits voices from loud speakers. When I was experiencing this for myself, I felt very uncomfortable and found it difficult to concentrate on the purpose of the idea, as I was so self aware.




PROPOSAL 
With this in mind I continue my argument that South bank would benefit from a series of interventions which the introvert can enjoy. Additions that could be stumbled across, gems hidden away that resting joggers, lone soldiers, couples and small groups can be part of quietly. Therefore, not being removed from the relaxed atmosphere of the South bank and thrown into the limelight, creating consciousness and deep self awareness. 
The perfect place for this series would be within the benches, both wooden and concrete, as this is where the introverts seem to congregate.They provide a get away spot for those looking for a quiet, intimate place away from the crowds. 






















Perhaps a sensory experience can be activated when the area is inhabited? I could try to subconsciously encourage the viewer to grasp the experiences expressed in terms of one sense through another sense entirely. In other words I could represent the everyday soundscape I feel is prominent in the space into a visual, spatial and tactile form. 
My aim is to keep my interventions only for those who are already intrigued, therefore a design which is subtle and only noticed once present within the space itself. As the majority of the users are in a peaceful and tranquil state of mind, or are looking for this, I believe their senses will be more perceptive to my work. I need to create objects that are unseen or extremely subtle until engaged with. It must be as ignorable as it is interesting. 
The work produced is to be experienced in this specific location, therefore it must be about the place, reflect the qualities of the place and rely upon the place, to provide input to the process and therefore by its presences contribute a new dimension to the place. 
Concentrating on the interplay between sound, vision and touch, the interventions could subsequently engage and immerse the user within the environment they inhabit, making them more aware of the affects of sound and how it is an integral part of how we experience the world. I believe an understanding of the work may be gained through a process of sensory interplay that develops over time. 
CHOREOGRAPHING YOU
‘Choreographing you invites you to become a participant - or even a dancer in installations and sculptures by internationally renowned visual artists and choreographers.’ Southbank Centre leaflet. 
I purposely visited this exhibition showing at the Hayward gallery alone. I was nervous about doing this as I knew what lied ahead. When I walked into the space it was full of children playing around within a gallery containing playground type elements. I walked around with my head in my notebook, trying to show parents I was a student and not staring at their children and to avoid eye contact with staff who encourage you to ‘get involved’. Whilst observing the activity I found the children had a free approach to the objects and were throughly enjoying being aloud to run around, banging and climbing. I felt jealous and nostalgic of this freedom and self awareness. Wouldn’t it be great if we could feel equally at home showing our excitement and enjoyment in such activities, I don’t deny we would enjoy it - its being able to ‘let go’ which is the problem. I do feel however many will never feel comfortable within this environment as an individual and there is a need for intimate spatial entertainment as well as works which create a sense of community and interaction. 






Isaac Julien video installation ‘Te thousand waves’ was a multi-screen film installation which created cinematic experiences in which art, architecture, dance, sound and movement intermix. This piece was striking and moving, although difficult to follow a story line as it was on loop, I cannot deny the power the style and showing had on my mood. 
“It weaves together three separate stories which are presented as a montage of moving images oscillating between nine-free hanging screens. Viewers enter an immersive and frequently disorientating environment in which they are compelled to make their own experimental journeys, both in physical and phycological terms.” MOVEs Leaflet. 
If this style could be recreated, it could be an interesting way to show different people experiencing objects I have placed into the Southbank environment in the same viewing time. 


SIN OVERLOOKED 
I am intrigued by the skate parks white painted boundary line and how it is obeyed and abused. I made a quick study through film of the segregation and how it is flipped at different times of day. ‘Boundary?’ shows the general public fascinated by the skater scene; in the morning when the skate park is empty they take the opportunity to look around and inhabit the space, yet a night when the skaters return they watch from afar, incited by the councils unusual acceptance of the taboo culture. 



NEXT
Subject I want to investigate further the relationship between space/consumer/retailer at the OXO Tower Wharf created by Coin Street Community Group to provide a platform and affordable studios for creative people. 












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